
Smart Bar Chicago 1985 2LP
Tracklist
1. Hallowe'en
2. Death Valley '69
3. Intro / Brave Men Run (In My Family)
4. I Love Her All The Time
5. Ghost Bitch
6. I'm Insane
7. Kat 'n' Hat
8. Brother James
9. Kill Yr Idols
10. Secret Girl
11. Flower
12. The Burning Spear
13. Expressway To Yr Skull
14. Making the Nature Scene
In the fall of 1985, Sonic Youth were touring the States following the release of their Bad Moon Rising LP. This show at Chicagoâs Smart Bar was recorded on 4-track cassette and consists of live versions of most of the songs from that album, early performances of âSecret Girlâ and âExpressway to Yr Skullâ (later to be released on Evol) and a rare, never-before-released live rendition of âKat ânâ Hat.â
Mixed and mastered by the band from the original tape source, this single-CD / double-LP edition includes liner notes by Gerard Cosloy and Sonic Youth engineer Aaron Mullan, plus unpublished photos by Pat Blashill and Steven Koress.
Â
âThe ideal archival offering would meet a list of criteria: it should be an unreleased and sonically compelling recording of an amazing performance, which not only sheds some light on the known Sonic Youth catalog for the serious aficionado, but also captures the attention of the general fan. Itâs a pretty tall order, but I think this tape from Chicago 1985 fits the billâŠ. [I]tâs the earliest live multitrack of a Sonic Youth show known to exist.
âHaving now listened to this tape maybe 100 times, I can say this: itâs a killer show. The material was mostly released on the studio album Bad Moon Rising. The album is brilliant, but the material is also so visceral and improvisatory that it greatly benefits from the additional perspective offered by a live recording. Kimâs vocals, more detached on the album, are fierce here. Sheets of feedback insanity on the album which I always assumed to be lucky studio accidents turn out to be actual parts that Lee and Thurston can re-create at will. The album was recorded with Bob Bert on drums, but this show was one of the first after Bob left and Steve took over. Bobâs primal stomps doubtlessly propel the studio versions, but hearing these parts as interpreted by Steveâs systematic pummeling, illuminates the crucial transition to the Evol and Sister albums and beyond. We do get a taste of Evol too, with an early performance of âExpressway To Yr Skullâ and the first known live performance of âSecret Girl,â plus an instrumental version of the rarely performed, and never released, âKat ânâ Hat.ââ âAaron Mullan, Feb. 2012
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Tracklist
1. Hallowe'en
2. Death Valley '69
3. Intro / Brave Men Run (In My Family)
4. I Love Her All The Time
5. Ghost Bitch
6. I'm Insane
7. Kat 'n' Hat
8. Brother James
9. Kill Yr Idols
10. Secret Girl
11. Flower
12. The Burning Spear
13. Expressway To Yr Skull
14. Making the Nature Scene
In the fall of 1985, Sonic Youth were touring the States following the release of their Bad Moon Rising LP. This show at Chicagoâs Smart Bar was recorded on 4-track cassette and consists of live versions of most of the songs from that album, early performances of âSecret Girlâ and âExpressway to Yr Skullâ (later to be released on Evol) and a rare, never-before-released live rendition of âKat ânâ Hat.â
Mixed and mastered by the band from the original tape source, this single-CD / double-LP edition includes liner notes by Gerard Cosloy and Sonic Youth engineer Aaron Mullan, plus unpublished photos by Pat Blashill and Steven Koress.
Â
âThe ideal archival offering would meet a list of criteria: it should be an unreleased and sonically compelling recording of an amazing performance, which not only sheds some light on the known Sonic Youth catalog for the serious aficionado, but also captures the attention of the general fan. Itâs a pretty tall order, but I think this tape from Chicago 1985 fits the billâŠ. [I]tâs the earliest live multitrack of a Sonic Youth show known to exist.
âHaving now listened to this tape maybe 100 times, I can say this: itâs a killer show. The material was mostly released on the studio album Bad Moon Rising. The album is brilliant, but the material is also so visceral and improvisatory that it greatly benefits from the additional perspective offered by a live recording. Kimâs vocals, more detached on the album, are fierce here. Sheets of feedback insanity on the album which I always assumed to be lucky studio accidents turn out to be actual parts that Lee and Thurston can re-create at will. The album was recorded with Bob Bert on drums, but this show was one of the first after Bob left and Steve took over. Bobâs primal stomps doubtlessly propel the studio versions, but hearing these parts as interpreted by Steveâs systematic pummeling, illuminates the crucial transition to the Evol and Sister albums and beyond. We do get a taste of Evol too, with an early performance of âExpressway To Yr Skullâ and the first known live performance of âSecret Girl,â plus an instrumental version of the rarely performed, and never released, âKat ânâ Hat.ââ âAaron Mullan, Feb. 2012

















