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It Comes To Us All LP (Transparent Blue Smoke Vinyl)
Justin K Broadrick (Godflesh, Jesu, JK Flesh) breathes new life into his FINAL project for an album on Helmās ALTER label. Formed in 1984 out of an obsession with the industrial, noise & power electronics acts of the early eighties, FINAL made its public debut at the legendary Mermaid pub in Birmingham when Broadrick was just 14 years old. A string of cassette releases via his Post Mortem Rekordings label established the name within the underground noise scene of the time until increased activity with his various groups (Napalm Death, Head of David and later Godflesh) meant that FINAL naturally fell by the wayside before the end of the decade. Broadrick reactivated the project in 1993 during the British ambient āisolationismā period and FINAL's sound became focussed more on texture, producing beatless ambient work with a number of albums for labels like Sentrax, Utech, No Quarter and Neurot. āIt Comes To Us Allā is the first FINAL album to appear on vinyl since 2015ās āBlack Dollarsā on Downwards and continues to explore the textural nature of Broadrickās ambient work - this time through a filter of blown-out harmonic noise that reconnects the project with its harsher roots. Rather than channeling the angst of early power-electronics, the noise here rumbles along blissfully through 8 untitled tracks, sombre in tone and at times beautiful. Melodies sampled from pop music are put through a process of decay, stripped of their form and worn down with a rusty, melancholic afterglow. Reducing all its parts to slow-motion shadows of their former selves, āIt Comes To Us Allā is an exploration of the decay of all living things that we face collectively, day after day. credits released May 20, 2022
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Original: $35.25
-65%It Comes To Us All LP (Transparent Blue Smoke Vinyl)ā
$35.25
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Justin K Broadrick (Godflesh, Jesu, JK Flesh) breathes new life into his FINAL project for an album on Helmās ALTER label. Formed in 1984 out of an obsession with the industrial, noise & power electronics acts of the early eighties, FINAL made its public debut at the legendary Mermaid pub in Birmingham when Broadrick was just 14 years old. A string of cassette releases via his Post Mortem Rekordings label established the name within the underground noise scene of the time until increased activity with his various groups (Napalm Death, Head of David and later Godflesh) meant that FINAL naturally fell by the wayside before the end of the decade. Broadrick reactivated the project in 1993 during the British ambient āisolationismā period and FINAL's sound became focussed more on texture, producing beatless ambient work with a number of albums for labels like Sentrax, Utech, No Quarter and Neurot. āIt Comes To Us Allā is the first FINAL album to appear on vinyl since 2015ās āBlack Dollarsā on Downwards and continues to explore the textural nature of Broadrickās ambient work - this time through a filter of blown-out harmonic noise that reconnects the project with its harsher roots. Rather than channeling the angst of early power-electronics, the noise here rumbles along blissfully through 8 untitled tracks, sombre in tone and at times beautiful. Melodies sampled from pop music are put through a process of decay, stripped of their form and worn down with a rusty, melancholic afterglow. Reducing all its parts to slow-motion shadows of their former selves, āIt Comes To Us Allā is an exploration of the decay of all living things that we face collectively, day after day. credits released May 20, 2022
Ā
